Roxy’s work consists of abstract sculpture that explores themes of visceral material presence, repetition, and transcendence of the material quality of clay through surface exploration.

Bryan is interested in ideas of structure, architecture, containment, and permanence. His work takes those interests and applies them to porcelain vessels, adding to the continuum of expressive ceramic containers.

Over 40 years, Bodil Manz has perfected her ceramic art, with her wafer-thin, transparent cylinders as one of the high-water marks.

For Aprille, it begins with the idea of capturing time; an artifact of the interplay between herself and the clay. Her work is an exploration of color, rhythm, and form, and as of late, the quality of light in the natural world.

Hilda’s main interest and focus in ceramics is experimenting with different ways to work with the material. She works spontaneously in that she usually doesn’t have a finished piece or shape in mind at first.

Lotte’s vessels are called “Syncope” and the name refers to a musical expression. She makes vessels with structural compositions of colored porcelain, based on a personal immersion in a technique unfolded within a graphic universe.